George Dannatt
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  A Message of Welcome from our Vice-President

Sir Arthur Bliss and
George Dannatt i
n 1974
© George Dannatt
 


"On behalf of Lady Bliss I offer this message of appreciation, welcome and goodwill to The Arthur Bliss Society, of which she is President. I join with her in that welcome, for I am intensely aware of the loss which we in England suffer through the continual pushing aside of many truly important British composers. This is nothing new - how seldom one hears often of a powerful and lyrical symphonic structure by, say, Alwyn, Bax, Bantock, Delius, Lambert, even that by Vaughan Williams himself.       
       Though one needs to be 'in the know' to appreciate it, quite a lot of Bliss's work does appear, but not enough, which is why the enthusiastic and dedicated group from Cheltenham (where Bliss was President of the famous and long-running annual Festival of Music) have created this Society.
       'Checkmate', one of the most original of contemporary ballets, has its revivals; 'Morning Heroes', a powerful reminder of the horror and futility of war, arises on appropriate occasions. And now, with the issue of CDs by the original soloist, Solomon, and Mewton-Wood, has come that authoritative Piano Concerto, a work which at last is becoming established in the repertoire of those pianists brave and tough enough to tackle it.        
        From my close relationship with the Society's Committee, I know full well that these words apply too to their approach. They are to be commended, and joined."

George Dannatt

click here for George's own website

George Dannatt is a chartered surveyor by profession, and has been closely involved in the study of music since his fifteenth year: he studied piano and composition with Harry Farjeon and Norman Franklin. Despite his conscription into the Army in 1940, he wrote his first music criticism in the monthly Musical Record in 1941. Invalided in 1944, he resumed work as a surveyor, and also regular music criticism on the News Chronicle, Penguin Music Magazine and other writing commitments. He was elected a member of the Critics' Circle in 1948 and is now an Honorary Member.
    George is strongly aware that the need for precision and detail in those two professional careers led him to pursue his interest in contemporary painting, and he has worked as an abstract-constructivist artist since 1956, when he became closely involved with the West Penwith painters and sculptors. Arthur Bliss was deeply interested in George's work as an artist, and considering their interrelated ideas and activities, it is not surprising that George has written extensively upon Bliss's music and upon aspects of their twenty years' close friendship.