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A Message of Welcome
from our Vice-President |

Sir
Arthur Bliss and George Dannatt in
1974 © George Dannatt |
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"On behalf of Lady Bliss
I offer this message of appreciation, welcome and goodwill to The Arthur
Bliss Society, of which she is President. I join with her in that welcome,
for I am intensely aware of the loss which we in England suffer through
the continual pushing aside of many truly important British composers.
This is nothing new - how seldom one hears often of a powerful and lyrical
symphonic structure by, say, Alwyn, Bax, Bantock,
Delius, Lambert, even that by Vaughan Williams himself.
Though one needs to be 'in the
know' to appreciate it, quite a lot of Bliss's work does appear, but not enough, which is why the enthusiastic and
dedicated group from Cheltenham (where Bliss was President of the famous
and long-running annual Festival of Music) have created this
Society.
'Checkmate', one of the most original of
contemporary ballets, has its revivals; 'Morning Heroes', a powerful
reminder of the horror and futility of war, arises on appropriate
occasions. And now, with the issue of CDs by the original soloist,
Solomon, and Mewton-Wood, has come that authoritative Piano Concerto, a
work which at last is becoming established in the repertoire of those
pianists brave and tough enough to tackle it.
From my close relationship
with the Society's Committee, I know full well that these words apply too
to their approach. They are to be commended, and
joined."
George Dannatt
click here for George's own
website |
George Dannatt is a chartered surveyor by
profession, and has been closely involved in the study of music since his
fifteenth year: he studied piano and composition with Harry Farjeon and Norman
Franklin. Despite his conscription into the Army in 1940, he wrote his first
music criticism in the monthly Musical Record in 1941. Invalided in 1944, he
resumed work as a surveyor, and also regular music criticism on the News
Chronicle, Penguin Music Magazine and other writing commitments. He
was elected a member of the Critics' Circle in 1948 and is now an Honorary
Member.
George is strongly aware that the need for precision and detail in those two
professional careers led him to pursue his interest in contemporary painting,
and he has worked as an abstract-constructivist artist since 1956, when he
became closely involved with the West Penwith painters and sculptors. Arthur
Bliss was deeply interested in George's work as an artist, and considering their
interrelated ideas and activities, it is not surprising that George has written
extensively upon Bliss's music and upon aspects of their twenty years' close
friendship.

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