The Arthur Bliss Society
Ian Venables

 


 

Ian Venables


I am delighted to have been asked to be a Vice-President of the Arthur Bliss Society.

I became acquainted with his music as a young man and was privileged to have been at the recording sessions of Charles Groves’ landmark recording of Morning Heroes
in 1974.

His wonderful music has been my constant companion since that time and became even more meaningful when, in 1996, I met and became friends with his wife Trudy. Her encouragement in my own creative life as a composer was invaluable and her enthusiasm for her husband’s music touched all those who knew her.

Arthur Bliss’s role as one of England’s foremost composers is now assured, and it is an honour to be part of a society which will continue to carry his legacy into the future.

Ian Venables was born in Liverpool in 1955 and studied music with Richard Arnell at Trinity College of Music, London and later with Andrew Downes, John Mayer and John Joubert in Birmingham. He settled in Worcester in 1986 where he works as a freelance composer.

He is developing a reputation as one of the finest song composers of his generation and has added significantly to the canon of English art-song. His various collections of song are published by Novello and Co and have received much critical acclaim.

His many chamber works include a Piano Quintet Op.27 (1995) and a String Quartet Op.32 (1997) as well as smaller pieces for solo instruments and piano. His large-scale anthem Awake, Awake, the World is Young Op.34, commissioned by the Charlton Kings and Cirencester Choral Societies together with Lady Bliss, was premièred in 2000.

Ian Venables is associated with the world-famous Three Choirs Festival and has had many works performed there. Like many creative artists living in or around the Severn Vale he has been inspired by its unique terrain and has broadcast on this subject. He also lectures widely and is deeply committed to the idea of ‘music and landscape’.

He is an acknowledged expert on the 19th century poet and literary critic John Addington Symonds, and apart from setting five of his poems for voice and piano he has contributed a significant essay to the book John Addington Symonds – Culture and the Demon Desire (Macmillan Press Ltd, 2000).

He is currently the Chairman of the Ivor Gurney Society and his continuing work on the music of Ivor Gurney has led to orchestrations of two of Gurney’s songs (2003) – counterparts to the two songs orchestrated by Herbert Howells – and a newly edited version of Gurney’s War Elegy, with Philip Lancaster.

He has recently been described as ‘perhaps the finest song composer of his generation’. His music is published by Novello and Co Ltd.


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